One of the perks of my position as Printmaking Technician at the University of Central Lancashire is that I get to be involved with so many interesting and unique projects. Ceramic Frankenstein, delivered by Erik Kok and Rudi Bastiaans from The AKI Academy of Art and Design was certainly out of the ordinary.
‘Ceramic Frankenstein is a student project that combines diverse techniques in several workshops. We visit one of our partner universities, in this case, the University of Central Lancashire. We form groups of students from different departments: Printmaking, Ceramics, and Photography etc. The workshop lasts for a week, which ends with a small presentation on a location that complements the artwork’ – Erik Kok
Outcome – An Exhibition of Three Postgraduate Projects
If you have followed my research for some time you will already know about the philosophical, neurological and political undercurrents that inspire and drive my practice. With the exhibition of Outcome coming to an end, it seems like an appropriate time to examine these ideas and being my Fellowship to a close.
A Thousand Plateaus and Soft Ground Etching
My Fellowship began with soft ground etching. After beginning to read the work of Deleuze and Guattari my first inclination was to begin to explore it physically. For me, the most intuitive way was through the medium of soft ground etching. Adapting the traditional method to suit my needs I allowed the allowed impure water to settle and oxidize on the plates. As the oxidization formed it created pathways that formed streams, which in turn informed the soft ground and eventual etch.