The State of Print is an Artist Led Nation and it has been a pleasure to be offered citizenship.
SOP is a touring exhibition that questions the nature of states, borders, and reproduction. Each time the state relocates to a new exhibition space it collects ten artists who print ten boxes which are absorbed into the collection. All works respond to the manifesto laid out by the state.
STATE OF PRINT (SOP) MANIFESTO
All Manifestos are Useless
All States are Fake
All Images are Made
All Worlds are Invented
August is the best month to have artistic explorations as the campus is quieter and my main focus is readying the studios for the coming academic year.
Strangely, I find the cleaning and sorting is good for my work ethic and working on in the studios themselves help focus my artistic experimentation.
Heaven is in the making Remains unfinished A possibility If there’s a glimpse of it In the little dance of tongues
Einsturzende Neubauten – Heaven Is Of Honey
The links to music and philosophy may not be immediately obvious within my work, but I am as much influenced by rhythm in language and dissonant chords as I am influenced by visual artists. The gently clanged rhythms and gorgeous singing of Blixa Bargeld is the perfect soundtrack to grow artwork within.
There is also something so incredibly exciting about work in progress. It isn’t finished or complete and I don’t empirically ‘know’ at this point how it will turn out. There are small glimpses of it and endless possibilities. It’s very exciting.
Over the past twelve months, I have been working at the University of Central Lancashire as an artist in residence on the Ph.D. Fellowship. Working with staff across a number of departments I have begun to develop a Ph.D. project and refine my practice-based research. The Fellowship has allowed me to develop my practice within an academic context and given me an opportunity to explore the diversity and sometimes restrictive nature of practice-based research. I am excited to be showing four new prints, ‘Intermezzo’ a screen print on Southbank Smooth and ‘Plateau Three’ a series of three new soft ground etchings on Somerset Satin.
The exhibition also includes artists from the Artlab Fellowship, which I was awarded, in 2010. The Artlab Fellowship offers a graduate or postgraduate one years worth of access to the Artlab Facilities, to further develop their printmaking practice. This year’s cohort is showing experimental installations and contemporary prints.
Artists from the AA2A scheme will be showing as part of the exhibition. It has been a great networking experience to work alongside artists with such different practices, methodologies and career paths to my own. I really hope to work and exhibit with these artists in the future.
I have always enjoyed being experimental in my printmaking and enjoy having the subtle effect of over printing in the same colour; for example, white on white or gloss onto acetate. With pale colours, a shimmer or glowing effect can be achieved and I have always adored this.
This is the first time that I have begun to print with black ink on to black paper. As any printmaker knows the quality of the paper is imperative and quality black paper in a reasonable price bracket can be difficult to source and manipulate. For this reason, I have never experimented with it, but with new contacts made and research done, it is time to start experimenting.