Screen Printing From Darkness to Light – Experimental Screen Printing

From Darkness to Light, Monochromes and Gloss

I have always enjoyed being experimental in my printmaking and enjoy having the subtle effect of over printing in the same colour; for example, white on white or gloss onto acetate. With pale colours, a shimmer or glowing effect can be achieved and I have always adored this.

This is the first time that I have begun to print with black ink on to black paper. As any printmaker knows the quality of the paper is imperative and quality black paper in a reasonable price bracket can be difficult to source and manipulate. For this reason, I have never experimented with it, but with new contacts made and research done, it is time to start experimenting.

Experimental Screen Printing Monochromes Gloss Rhizome
Developing the printing process, Jane Elizabeth Bennett © 2017 Screen printing.

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Multiplicity, Soft-ground and Stop Start Etching

I am so excited to be experimenting with Multiplicity, Soft-ground and Stop Start Etching.

In my last blog post, I spoke about the difficulties in forming a conversation between the marks that were present on the plate. To me, the etch was shouting over the natural striations and oxidisation that I was encouraging to form. Resolved to take an active approach to mark making. Utilising soft-ground, Lascaux varnish, impure water and a pertinent quotation from A Thousand Plateaus I began to experiment.

soft-ground stop start etching rhizome printmaking
The experimental soft ground on a hand ground zinc plate.

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